The Collector Book

Discover The Captivating Debut Book By John Fowles, Which Is Described As "Short, Spare, And Direct, An Intelligent Thriller With Psychological And Social Overtones." Weekend Timesfrederick Is Aloof, Uninformed, And Unwanted. He Collects Butterflies And Shoots Pictures.
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Discover The Captivating Debut Book By John Fowles, Which Is Described As “Short, Spare, And Direct, An Intelligent Thriller With Psychological And Social Overtones.” Weekend Timesfrederick Is Aloof, Uninformed, And Unwanted. He Collects Butterflies And Shoots Pictures.

The Collector Book K.R. Alexander Book PDF Free Download

Gabriel Allon Searches For A Stolen Vermeer Masterpiece In The Gripping New Thriller From #1 New York Times Bestselling Author Daniel Silva And Unearths A Plot That Might Push The World To The Verge Of Nuclear Armageddon.

Art Restorer And Renowned Spy Gabriel Allon Walks Into His Favourite Coffee Shop On The Island Of Murano The Morning After The Venice Preservation Society’s Annual Black-tie Gala To Discover General Cesare Ferrari, The Head Of The Art Squad, Waiting For Him. A Hidden Vault With An Empty Frame And Stretcher That Matches The Specifications Of The Largest Lost Artwork In The World Was Found By The Carabinieri In The Amalfi Estate Of A Dead South African Shipping Mogul. General Ferrari Orders Gabriel To Find The Artwork Stealthily Before The Lead Disappears.

Isn’t That What You Do?

“Discovering Stolen Artwork? Technically, The Answer Is Yes. However, You’re Far More Skilled Than We Are.

The Concert By Johannes Vermeer, One Of Thirteen Pieces Of Art Taken From Boston’s Isabella Stewart Gardner Museum In 1990, Is The Artwork In Dispute. Gabriel Soon Learns That The Painting Has Changed Hands As Part Of An Illegal Billion-dollar Business Deal Involving A Man Code-named The Collector, An Energy Executive With Close Ties To The Highest Levels Of Russian Power. With The Aid Of A Most Unlikely Ally, A Stunning Danish Computer Hacker And Professional Thief, Gabriel Quickly Learns This.

The Lynchpin Of A Plot Whose Success May Hurl The Globe Into A War Of Cataclysmic Proportions Is The Missing Masterpiece. Millions Of Lives Are On The Line As Gabriel Must Pull Out A Daring Theft Of His Own To Thwart The Plan.

The Collector Moves Quickly From The Elegant Canals Of Venice To The Windswept Coast Of Northern Denmark To Cia Headquarters In Langley, Virginia—and, Finally, To A Heart-pounding Climax In Russia As Current As Tomorrow’s Headlines. It Is Elegant, Meticulously Plotted, And Filled With A Cast Of Unforgettable Characters.

This Magnificent Book Explains Why Daniel Silva Is The Undisputed King Of Global Intrigue And Suspense And “Quite Simply The Best” (Kansas City Star). It Is Outrageously Entertaining, Profoundly Illuminating, And Sprinkled With Moments Of Sardonic Humour.

Synopsis Of The Collector John Fowles

Frederick is aloof, uninformed, and unwanted. He collects butterflies and shoots pictures. He has an obsession with Miranda, an attractive stranger who studies painting. When he wins the pools, he purchases a secluded Sussex home, where he gently kidnaps Miranda in the hopes that she would eventually come to love him. Miranda, who is alone and in need of help, must fight her own preconceptions and scorn if she is to comprehend her captor and liberate herself.

The Collector, written by English novelist John Fowles in 1963, is a suspenseful book. The story revolves on a young, loner with insane tendencies who kidnaps an art student from London and imprisons her in the basement of his rural home. The book is split into two halves and features perspectives from both Miranda, the hostage, and her captor, Frederick.

The back of a vehicle is filled with a dozen distinct literary criticism schools of thought that have been chloroformed. The literary ideas are placed in a chamber in the basement of a secluded home after the van is transported there. They are instructed to debate the interpretation of John Fowles’ The Collector, with the victorious theory winning freedom while the opposing ideas must remain imprisoned.

When the basement door is opened after a week, a cloud of cigar smoke quickly pours through, and Freudian literary theory stands alone and victorious.

“All clear. The author’s animosity towards his Mutti and Papa is widely known. Herr Fowles thought his parents were philistines and was outraged by their crassness in the suburbs.

The dumb, violent, and uneducated Frederick Clegg, who is fixated on owning the lovely, loving, and cultured Miranda, is a manifestation of the hate for die Parents. Fredrick becomes angry, confused, and unhappy when he learns that he does not grasp the topic of his preoccupation after achieving this goal.

Freudian literary theory exits the dungeon, ascends the steps, but discovers that the front door is locked upon attempting to unlock it. He is informed that he must remain imprisoned while the other literary conceptions have been set free. He goes back to the chamber in the basement where eleven literary ideas are being imprisoned against their will. They are instructed to debate the interpretation of John Fowles’ The Collector, with the victorious theory winning freedom while the opposing ideas must remain imprisoned.

Freudian literary theory succeeds once again, but when he attempts to enter the entrance door, it is once more locked. While the other ideas are released, the Freudian literary theory is sent back to the basement, where a new collection of literary theories is housed. According to Freudian literary theory, he must lose his case for freedom. However, a week later, he finds himself winning his arguments but unable to unlock the front door. While he goes back to the cellar, the other theories—ad absurdum and infinitum—are released.

On Borrowbox, you may download John Fowles’ The Collector. You may use a reader, tablet, or phone to access eBooks and eAudiobooks. Search for Dublin in the ‘Library’ area of the app after downloading it, and then sign in using your library membership card number and PIN. Watch our Borrowbox tutorial video. Members of various library authority will need a separate link to log in.

John Fowles is a guy of great bravery. He has created a book whose impact hinges on the reader’s complete acceptance. It is written in the first person singular, and its protagonist is a highly unusual situation, thus there is no place for the slightest hesitation or false tone.

Even though it is odd, “The Collector’s” concept is obvious. In his mid-20s, Frederick Clegg earned at least $200,000 playing football pools. He had been poorly prepared for life by his time in the Pay Corps and his menial work at the Town Hall. He was an ugly guy with “higher aspirations,” bland, uninteresting, and tasteless traits. He was also the victim of a nonconformist conscience and a dormant imagination. He had a collection of butterflies as his only hobby.

The Midas gold rain that hit him had several effects. He no longer had to deal with his cousin Mabel and aunt Annie, who had long desired to visit the family in Australia. He was able to purchase a vehicle to look for rare fritillaries with the money. He was then able to take action to help Miranda.

Frederick Clegg’s dreams and thoughts were disturbed by Miranda, an art student. Now that he was wealthy, a thought struck him. He initially purchased a remote country home in Sussex, furnished it with terrible furniture and decorations, and converted the basement into an opulent jail. He first did this as a kind of fantasy gesture, seeing Miranda as a constant visitor, growing to respect him, overcoming his loneliness, and ultimately falling in love with him. He made the decision to do an experiment after that. He followed her through the streets of London at night while carrying a chloroform pad until his chance presented itself. By page 25, she is in her jail, unwell and distraught. The remainder of the novel, which ends tragically, describes how both of them handled the next weeks.

Given that Miranda is an excellent young woman, the events that follow are fascinating. Mr. Fowles expertly makes her predicament seem quite conceivable. She attempts to flee once or twice. However, she is under the control of a manic depressive who has seen everything coming. She doesn’t get any sex from him. He is requesting “respect” from all sides. Overpowering Miranda’s emotion of fury is her sensation of amazement. She sometimes wants to assist him. She issues the ultimate challenge at a terrible moment: “She stepped back a step, undid her house-coat, and she had nothing below. She was cold. Fred is horrified. He cannot bring himself to do something so crude as to exact direct revenge on Miranda because he is too constrained in his viewpoint and too eager to bribe his way into her heart. But the methodical way in which he eliminates her while never for a second acknowledging that he could be in error makes for one of the most agonising chapters in the whole literature of obsession.

The major strength of Mr. Fowles is his command of language. In his description of Fred, there is not a single wrong note. Given how beautifully he has been preserved in his own words, impaled on a pin, and gathered as a specimen, it is almost conceivable to feel sad for this little, conceited lunatic. The book, however, should have been constrained to Fred’s point of view and cut down to the length of a nouvelle for overall success. As it is, Miranda’s journal takes up more than half of the book, and a second voice is an obtrusive interruption in the otherwise claustrophobic setting. In addition, the majority of the information is already known by the time we get to the journal. We are also familiar with Miranda, so we don’t need to read about her sacrifice again.

There is hardly a single page in this first book that does not demonstrate the author’s mastery of narrative technique, whether it is via meticulous attention to detail or the swift capture of a major inflection. In actuality, here is where his unique talent is most likely to reside. There is no need to look for metaphorical echoes in this situation. Nothing about Mr. Fowles’ captivity resembles the suffering experienced by Kafka or Camus. He spins a terrifying story just for fun. And he could end up being the driving force behind those who, after a long absence, will bring back the simple thrill of suspense to the dying art of fiction.

The Collector John Fowles Reviews

The Most Strange Book I’ve Recently Read Is John Fowles’ First, “The Collector,” Which Was Released In May 1963; Both The Subject Matter And The Writing Style Are Intriguing. I Stumbled Onto This Book Purely By Chance, But It Ended Up Being Precisely The Type Of Book I Was Looking For. I Was Engrossed From The First Page Onwards Because Fowles Immediately Immerses The Reader In The Thoughts Of Frederick Clegg, An Apparently Common But Really Odd Person. Frederick Isn’t The Arnold Layne From Pink Floyd’s Song, Stealing And Collecting Girls’ Knickers From The Washing Lines In Cambridge Suburbia, But He Is A Collector Of Other Things. First, He Collects Butterflies. Then, He Moves On To One Stunning Girl Named Miranda, Who He Admires From A Distance And Eventually Develops Feelings For, Despite Knowing Little About Her Other Than The Art School She Attends And How She Looks. It’s Difficult To Determine If He Is Nice Or Evil; The Things He Does Are Horrible, But His Intentions Are Actually Kind. He Is A Socially Awkward And Unusual Person.

In His Earliest Daydreams, He Describes Meeting Her, Doing Things She Would Appreciate, Marrying Her, And Other Romantic And Endearing Things: “I Used To Have Daydreams About Her; I Used To Think Of Tales Where I Met Her; I Used To Think Of Stories Where I Married Her; And All That. Nothing Unpleasant; It Never Happened Before What I’ll Describe Later. She Did The Drawing, And I (In My Fantasies) Took Care Of My Collection. She Was Always The One Who Loved Me And My Collection, Drawing And Colouring Them; Working With Me In A Large Room Of A Gorgeous Modern House With One Of Those Enormous Glass Windows; And Attending Meetings Of The Bug Section Where We Were The Well-liked Host And Hostess Instead Of Saying Almost Nothing In Case I Made Mistakes. She Is Really Attractive With Her Light Blonde Hair And Grey Eyes, While The Other Males Are Obviously All Grotesque.

When He Witnesses Miranda Spending Time With Other Men, The Sweetness Of These Innocent Daydreams Sometimes Takes On A Darker Tone Because, Of Course, He Naturally Wants Miranda To Himself, Even Though Miranda Is Completely Unaware Of His Existence: “The Only Times I Didn’t Have Nice Dreams About Her Were When I Saw Her With A Certain Young Man, A Loud Noisy Public-school Type Who Had A Sports Car. On Such Days, I Let Myself To Experience The Nightmares. She Typically Knelt Or Sobbed. I Once Allowed Myself To Fantasise That I Smacked Her Across The Face Like I Once Saw A Man Do In A Television Drama. Perhaps It Was The Beginning Of It All.

On Friday, October 2, 1964, In London, Catherine Deneuve Filmed The 1965 British Psychological Horror Thriller Repulsion. Wilson’s Picture

When Frederick Wins A Reward In A Football Pool One Day, He Chooses To Purchase A Solitary, Outdated Home In The Country. His Crazy Fancies And Daydreams Become Into Real Intentions At That Point, As He Prepares The Cellar And Is Prepared To Capture Miranda, His Butterfly Victim. After Her Courses One Evening, He Follows Her And Says, “It Was All Planned. She Then Drew Closer. She Was About Twenty Yards Away And Moving Swiftly When She Came Up And Around Without Me Seeing. I’m Not Sure What I Would Have Done If It Had Been A Clear Night. But The Trees Were Being Blown By This Wind. Gusty. I Saw That Nobody Was Hiding Behind Her. She Then Appeared Right Next To Me As She Ascended The Pavement. It’s Funny How She Sings To Herself. After Taking Her Hostage, He Takes Her To His Rural Home And Imprisons Her In The Basement. The Book Is Broken Up Into Three Sections: The First Is Recounted From Frederick’s Perspective, The Second Is Miranda’s Diary That She Kept While Being Held Captive, And The Last Section Is Briefly Given From Frederick’s Perspective Once Again.

A Working Class Nobody, That Is How Miranda Sees Him Because She Is A Posh, Middle-class Art Student; At First, She Is Scared And Assumes He Must Be Only Interested In Sex, Which Is Not True, But As She Gets To Know Him, She Realises Just How Pitiful, Uneducated, Uncultured, And Weak He Truly Is. He Has No Idea About Mozart Or Art, Two Things Miranda Adores. Frederick Also Sees That Miranda Is Not The Girl Of His Dreams Since She Is Rude, Constantly Makes Fun Of The Way He Speaks And Walks, Decorates His Home, And Has Snobby Attitude Against Everything. And The Last, Most Terrible Revelation Is That She Never Really Loved Him. Frederick Isn’t A Vicious Savage Or A Monster; Rather, He’s A Lonely, Bewildered, Strange Person Who Just Wants To Connect With Another Person. He Tries To Do This In The Only Way He Believes Is Possible, Saying: “If She’s With Me, She’ll See My Good Points, She’ll Understand. There Was Always A Feeling That She Would Comprehend. This Book Demonstrates How Such A Scenario Is Difficult And That Not Everything Is Always Clear-cut. Despite The Common Misconception That Frederick Was A Bad Guy And Miranda Was A Helpless Victim, I Warmed Up To Frederick While Reading The Book And Came To Feel Grief And Empathy For Him. I Don’t Believe He Has A Heart Of Cruelty.

“I Initially Gave Myself The Dream That Came True On That Day. She Was Being Assaulted By A Guy When I Rushed Over To Save Her. Then, For Some Reason, I Was The One Who Assaulted Her, But I Didn’t Injure Her; Instead, I Took Her Hostage, Took Her Away In The Van To A Secluded Place, And Treated Her Captivity Well There. As She Got To Know Me And Started To Like Me, The Fantasy Evolved Into One Where We Were Married, Had Kids, And Lived In A Wonderful, Contemporary Home. It Stayed With Me. It Caused Me To Lose Track Of What I Was Doing During The Day And Kept Me Up At Night. I Continued To Stay At The Cremorne. It Ceased To Be A Dream And Started To Become What I Imagined Was Really Going To Happen (Of Course, I Believed It Was Just Pretending), So I Started To Consider Methods And Means — Everything I Would Need To Organise, Consider, And Accomplish It All. I Reasoned That Even Though I Would Never Be Able To Meet Her In A Conventional Setting, If She Were With Me, She Would See My Strengths And Sympathise. There Was Always A Feeling That She Would Comprehend.

The Collector John Fowles Analysis

A Lonely Hotel Employee In England Named Frederick Clegg Just Won The Lotto. With His Newly Discovered Wealth, He Purchased A Remote Home Not Far From The Town Of Lewes And Converted A Portion Of The Basement Into A Chamber Where He May Shelter Miranda, The Girl Of His Dreams. One Night, He Tricked Her Into Believing That He Had Just Struck A Dog With His Vehicle And That As Soon As She Got Close To Him, She Was His To Keep. The Collector Then Turns Into A Tale Of Clegg Attempting To Win Over His Prey To His Way Of Thinking While Miranda Attempts To Come Up With Methods To Get Out Of The Basement And Kills Time By Journaling In A Diary Clegg Purchased For Her.

The Fundamental Subject Of The Collector, Which Is Reiterated By A Number Of Characters, Is That Acquiring Authority Over Money Will Inevitably Lead To Corruption. When Clegg Leaves His Job After Winning The Lotto, This Is Shown. It Affords Him The Time And Resources To Carry Out His Latent Desire To Abduct Miranda. El Bronx Is A Different Novel With A Like Premise. Composed By Nicholasa Mohr, Which Illustrates How Inequality And Prejudice Between The Affluent And The Poor In New York City Are Caused By Money Throughout Its Tales.

When The Viewpoints In The Novel Shift, John Fowles’ Writing Style Varies Throughout The Collector. The Tone Is Cold And The Language And Images Reflect Clegg’s Thought Process When The Narrative Is Told From His Point Of View. For Instance, Clegg Often Attempts To Pass Himself Off As Someone Who Speaks English Well And With A Large Vocabulary. Through Miranda’s Viewpoint, Which Has A Critical But Poetic Tone, We Can See That He Portrays The Contrary. Her Use Of Images In Her Journal Makes It Clear That She Is A Student Of Art. Even While Talking About Her Captor, She Writes So Beautifully. These Two Viewpoints Have A Thoughtful Tone In Common. Miranda Is Thinking Back On Her Life Before She Was Taken And How Much She Enjoys Living It As She Writes In Her Notebook. Clegg Adopts A Thoughtful Demeanour Since All He Ever Does Is Provide Justifications For Anything That Can Be Seen As Unkind.

When I Started Reading The Collector By John Fowles, It Quickly Became One Of My Favourite Novels. While Keeping The Narrative As Its Primary Concern, It Considers Significant Problems Like The Gap Between Socioeconomic Classes. As Both Characters Seem To Flatter Themselves In Their Own Writing, The Reader Is Left To Determine Who Is Speaking The Truth And Who Is Not By Reading From Their Many Points Of View. I Think The Pace Of Miranda’s Viewpoint May Be Altered. When She Is Alone Herself In The Basement, She Has Plenty Of Time To Ponder, And It Definitely Shows. Her Journal Entries Eventually Start To Seem Monotonous, But Reading Them Reveals Many Instances Of Social Corruption, Making The Sections Worthwhile. Anyone Looking For A Dark Thriller That Also Examines The World Through The Eyes Of Two Diametrically Opposed Characters Should Read This Book, In My Opinion.

Famous British Novelist John Fowles (1926–2005) Devoted His Whole Life To The Literary World. His Debut Book, The Collector, Which Was Released In 1963, Has Been Reissued Several Times And Has Been Translated Into Other Languages, Demonstrating The Continued Popularity Of Fowles’s Early Works.

Two Of John Fowles’ Most Well-known Books Are The Ones That Readers Are Most Familiar With. The Magus, Which Was First Published In 1965, Has Attracted The Most Enduring Attention And Has Evolved Into A Kind Of Cult Classic, Especially In The United States Of America. The French Lieutenant’s Woman Was The Most Financially Successful; It Debuted In 1969, Garnered Several Prizes, And Was Later Adapted Into A Well-received Film (1981) With Meryl Streep Playing The Main Character.

The Idea That The Universe Has Two Realities Is A Reoccurring Subject In All Three Of The Works Described Above By Fowles. While Sarah Woodruff From The French Lieutenant’s Woman Builds Her Own Universe And Wills Herself To Be An Outsider, A “Femme Fatale,” Free From Tradition And History, The Magus Confounds Us With Its World Of Dreams And Reality On A Greek Island. In Order To Endure Her Forced Solitude, The Girl In The Collector Created Her Own Universe Using Memories.

Ferdinand Clegg, A Lonely Entomologist, Buys A Large Rural Home After Winning The Lottery And Kidnaps Miranda Grey, A Stunning Twenty-one-year-old Art Student, With Whom He Has Been Long-obsessed. After A Protracted Period Of Planning And Surveillance, He Drags Miranda Into His Own Basement, Which Has Been Particularly Renovated To Hold Her For A Protracted Duration. He Treats Her Well, Purchasing All The Food, Clothing, Books, Music, And Artwork She Requests. Except For Her Desire To Be Free, He Satisfies All Of Her Needs. In The Hopes That She May Someday Come To Know And Love Him, He Keeps Her In Captivity, Cut Off From The Outside World.
You May Read The Book Like A Thriller By Switching Between The Perspectives Of The Two Protagonists. The Narrative Is Initially Told From The Perspective Of The Collector. We Learn That The Main Character, Frederick—or Ferdinand, As He Wants To Be Called—had An Extremely Sad And Solitary Upbringing. When He Is Just Two Years Old, His Father Perishes In A Vehicle Accident. His Mother Then Departs With A Different Guy. Along With His Two Cousins, He Is Raised For The Remainder Of His Childhood By His Aunt Annie And Uncle Dick In The Working-class Suburbs Of London. One Of Them, Mabel, Is A Spastic Girl Who Requires Help Walking, And Ferdinand Detests Caring For Her. When Uncle Dick Passes Away, His Other Cousin Moves Out And Begins Collecting Butterflies, But He Never Sees Him Again Since He Leaves To Australia.

Because He Wins A Sizable Sum Of Money, He Decides To Gather Not Only Butterflies But Also Miranda, The Long-admired Subject Of His Desire. Miranda Receives Excellent Care While Imprisoned In A Quiet Basement, Giving The Reader The Impression That Ferdinand Is Not A Monster But Rather A Miserable, Lonely Man In Need Of Affection. Ferdinand Believes That Having Money Will Be Enough To Win Miranda’s Affection. But He Is Mistaken.

The Collector John Fowles Characters

Frederick Clegg

Frederick is a city clerk and amateur entomologist who loves to collect butterflies. He is an antisocial and awkward young man in his mid-20s. Because Clegg lost his parents at an early age (his father died in a drunk driving accident when he was two and his mother abandoned him) he was raised by his Aunt Annie and grew up alongside Annie’s daughter, his disabled cousin Mabel. Yet he eventually wins a prize of over 70,000 pounds in a football (soccer) pool, and uses this money to buy a country house two hours away from London, where he sets up the basement to be used as a cell for a captive. Clegg then travels in London, stalks a beautiful art student named Miranda Grey, captures her, and takes her back to his house. He tries, and fails, to make her fall in love with him. Yet he succeeds in lying about his name to Miranda; she thinks he is called Ferdinand.

Miranda Grey

Miranda is a 20 year-old art student at the Slade School of Fine Art in London. She grew up in a privileged middle-class household. Her father, a doctor, was much older than her mother and their marriage was generally dysfunctional. Miranda is very close to her sister Carmen, whom she calls Minny. She also fell in love with George Paston (or, as she calls him, G.P.) a middle-aged artist who influenced her while she was an art student. At the beginning of the novel, Miranda is kidnapped by Frederick Clegg and is held captive in the basement of his country home.

G.P. (George Paston)

G.P. is a middle-aged artist whom Miranda falls in love with. He is frequently pretentious and is convinced of the superiority of his opinions concerning art, passion, and life in general.

Caroline Vanbrugh-Jones

Caroline is Miranda’s aunt, with whom Miranda lives with before her capture. Caroline was friendly with George Paston, though he disliked her, and is the reason he and Miranda became acquainted.

Antoinette

Antoinette is a Swedish art student and one of Miranda’s friends; she also becomes one of G.P.’s lovers.

Aunt Annie

Aunt Annie is Clegg’s aunt, who raised him after his father died and his mother left. At the start of the novel, she leaves England and relocates to Australia with her daughter Mabel.

Uncle Dick

Dick was Clegg’s uncle and Aunt Annie’s husband. He was kind to the young Clegg and inspired his love of butterflies, but had a stroke and died when Clegg was fifteen.

Piers Broughton

An art student and a rich, spoiled young man, Piers is one of Miranda’s off-and-on suitors.

Minny

Minny is Miranda’s sister, who bonded with Miranda due to their parents’ dysfunctional marriage.

Mabel

Mabel is Clegg’s cousin, who is in a wheelchair. She is somewhat older than he is, around 30 years-old to his 25.