Ship Of Theseus Book PDF Free Download, S. Novel by Doug Dorst and J.J. Abrams PDF Free Download, Overview, Summary, Reviews, Videos, Get book, More By Author, Quotes.
Ship Of Theseus Book PDF Free Download
The Chronicle Of Two Readers Finding Each Other, And Their Deadly Struggle With Forces Beyond Their Understanding — All Within The Margins Of A Book Conceived By Star Wars: The Force Awakens Director J.j. Abrams And Written By Award-winning Novelist Doug Dorst. The Book: Ship Of Theseus, The Final Novel By A Prolific But Enigmatic Writer Named V.m. Straka,
In Which A Man With No Past Is Shanghaied Onto A Strange Ship With A Monstrous Crew And Launched Onto A Disorienting And Perilous Journey. The Writer: Straka, The Incendiary And Secretive Subject Of One Of The World’s Greatest Mysteries, A Revolutionary About Whom The World Knows Nothing Apart From The Words He Wrote And The Rumors That Swirl Around Him.
The Readers: Jennifer And Eric, A College Senior And A Disgraced Grad Student, Both Facing Crucial Decisions About Who They Are, Who They Might Become, And How Much They’re Willing To Trust Another Person With Their Passions, Hurts, And Fears. S. Contains 22 Inserts And Will Be Delivered In A Sealed Slipcase.
Emmy-award-winning Filmmaker J.j. Abrams Has Produced, Directed, Or Written Films And Television Shows Including Star Wars: The Force Awakens, Fringe, Lost, Alias, Felicity, Star Trek, Cloverfield, Mission: Impossible, And More. Doug Dorst Teaches Writing At Texas State University.
He Is The Author Of The Pen/hemingway-nominated Novel Alive In Necropolis And The Collection The Surf Guru. His Work Has Appeared In Mcsweeney’s, Ploughshares, Epoch, And Elsewhere. Dorst Is Also A Three-time Jeopardy! Champion.
Synopsis Of S. (Dorst Novel)
The New Mystery Book “S,” Written By J. J. Abrams And Doug Dorst, Has One Of The Most Beautiful Covers I’ve Ever Seen. From The Outside, It Appears To Be A Worn-out Library Book With The Title “Ship Of Theseus” That Was Written By Fake Author V. M. Straka And Released In 1949. The True Narrative, However, May Be Found In Straka’s Margins, Where Two Readers Named Eric And Jen Have Left Comments For One Another. They Included Letters, Postcards, Photos, Newspaper Clippings And Even A Hand-drawn Map On A Coffee Shop Serviette Between The Pages.
You Must Read All Of Jen And Eric’s Handwritten Notes In Order To Figure Out The Book’s Main Mystery—who Is V. M. Straka, Actually, And What Does He Have To Do With Eric’s Evil Dissertation Advisor?—in Addition To “Ship Of Theseus.” It’s Simple To Become Enraptured By The Novel Because Every Detail Is So Exquisitely Rendered. The Other Morning, I Was Reading A Letter From Jen So Intently That I Failed To Notice My Tube Stop. (The Handwritten Note, On Pollard State University Library Stationary, Signalled A Turning Point In Eric And Jen’s Flirtatious, Sexual Relationship.)
The Odd Outcome Of A Partnership Between Two Exceptional Persons Is “S.” Abrams Has Written, Produced, Or Directed A Large Number Of Films And Television Shows, Including “Felicity,” “Alias,” “Lost,” “Fringe,” “Person Of Interest,” And Two “Mission: Impossible” Films. He Is Presently In Charge Of The 2015 Release Of The New “Star Wars” Film. Alive In Necropolis, Dorst’s Previous Book, Was A Finalist For The 2009 Hemingway Foundation/pen Award; He Has Also Won Three Times On “Jeopardy!” You Couldn’t Pick A Finer Combo If You Wanted To Write A Love Mystery Meta-novel In Which Two Bookworms Look Into The Plot Of A Mysterious Eastern European Author. I Chatted With Dorst And Abrams On The Phone Earlier This Week, And They Will Be Discussing “S” With Lena Dunham At Symphony Space Tonight, Saturday, November 23.
What Motivation Could There Possible Be For You To Write A Novel Like “S”?
Abrams: While Waiting For A Flight, I Had The Notion. I Reached Out To Pick Up A Paperback Book That Was Lying On A Bench After Spotting It. Someone Had Written, In Ink, “To Anyone Finds This Book—please Read It, Take It Elsewhere, And Leave It For Someone Else To Find” Within. This Upbeat, Romantic Notion That You May Leave A Book With A Message For Someone Made Me Grin. It Brought Back Memories Of Seeing The Notes That Students Would Jot Down In The Margins Of Library Books When I Was A Student.
I Then Got To Wondering: What If There Was A Very Cool Book That Was Entirely Annotated—just Filled With Notes Between Two Individuals And Marginalia? And What If A Romance Or A Conversation Started Inside A Book? That Marked The Start Of The Process, Which Began Perhaps Fifteen Years Ago.
Where Did Doug Enter The Picture?
Abrams: When I Mentioned The Idea To Lindsey Weber, Who Works On Features With Me At Bad Robot [abrams’ Production Business], She Became Enthusiastic. We Debated Whether The Book Should Be Brand-new Or An Old Classic. Later, Lindsey Located Doug. He Entered, We Presented The Idea To Him, And He Adopted It.
Dorst: They Presented Me The Idea Sometime In The Summer Of 2009 And Asked, “What Kind Of Story Would You Tell, Given This Conceit?” First Of All, The Challenge Of Telling A Story In Such A Constrained Format Made Me Very Thrilled. As A Writer, I Found That To Be Really Appealing. In Terms Of The Story’s Actual Content, I Was Reading A Book About The Shakespeare Issue At The Time, Which Led Me To Discover The B. Traven Controversy. I Got To Wondering: If The Idea Of A Book Is At The Heart Of It, What If Its Creator Was A Mystery? It Looked Like Making Up A Complete Bibliography And History On This Author Would Be A Lot Of Fun. It Was Only A Short Step From There To The Conclusion That Readers Of The Book Should Also Be Book Nerds.
How Did The Partnership Function? And Doug, How Did You Maintain The Flow Of The Narrative? You Used A Whiteboard, Right? Did You Write The Marginalia And “Ship Of Theseus” Simultaneously Or Separately?
Dorst: I Should Have Used A Whiteboard, But I’m Inherently Disorganised And Didn’t Have Anything Like A System In Place. Everyone Agreed That “Ship Of Theseus” Ought To Be Able To Stand Alone, Therefore I Wrote It Completely First Before Adding The Marginal Comments. It Took A Lot Of Trial And Error. But As A Writer, I Enjoy Inventing Things. This Was Essentially An Endless Sandbox Of Happiness And Delight. Since J. J. And Lindsey Were Actively Supporting Every Ridiculous Urge I Had To Make Things Bigger And More Complicated, There Was Truly No End To The World-building And History-shaping That Could Be Done. I’m Constantly Thinking To Myself, “Why Stop?”
Abrams: To Be Completely Honest, It Was Similar To Writing A Script. At First, There Were Outlines And Pitches, Followed By The First Few Chapters. Working With Doug Frequently, Lindsey Would Then Show Me Things. The Fact That The Finished Product Didn’t Require Casting, Shooting, Or Editing Added To Its Appeal. That Was In The Text. Then We Collaborated With Melcher Media, A Design Company, To Help Create The Final Product.
You Must Be Happy With The Book’s Appearance From A Design Standpoint.
It Is Meant To Be A Celebration Of The Analogue, Or The Tangible Object, Says Abrams. In This Day Of Emails, Texts, And Everything Migrating Into The Cloud, It’s Purposefully Tangible Yet Being Immaterial. We Intended To Add Tangible Items, Such As Postcards, Xeroxes, Legal-pad Pages, School Newspaper Articles And A Map On A Serviette.
The Handwriting Is One Of “S”‘s Most Striking Features. When Was The Last Time I Was Able To Read That Much Of Someone’s Handwriting? Additionally, The Handwritten Letters And Notes Have A Very Natural-sounding Language In Their Cadences. You Have The Impression That You Are Spying On A Private Matter.
Dorst: We Specifically Intended To Create That Illusion. These Two People Are Developing Closeness, And Handwriting Is Another Way That Intimacy Can Be Formed And Conveyed. We Had Been Discussing The Intimacy Of Books And The Intimacy That Might Result From Sharing A Book. The Designers Were Highly Selective In Who They Choose To Do The Handwriting. Additionally, The Writing Changes As The Characters Do, So It Isn’t Really Consistent Throughout.
S. (Dorst Novel) Reviews
Let’s Start With The Summary And Conclusion: S., The Novel/meta-narrative By J.j. Abrams And Doug Dorst, Is Pretty Much Written For You If You Were A Fan Of Lost, Especially The Rumours And Theories That Surrounding The Television Programme Itself. It Often Seems As Though Reading The Book Is Like Simultaneously Downloading The Whole Of Lost (Both The Television Show And The Fans).
S. Is Very Much A Love Letter To Abrams’ Career Thus Far, As The Slipcover Helpfully Characterises It As Being A “Love Letter To The Written Word” (Which It Is, But We’ll Get To That Later). Nearly Every One Of J.j. Abrams’ Previous Works Is Alluded To In Passing Throughout The Book, Including The Romance Stories Of Felicity, The Identity Notions That Were Repeatedly Updated In Alias, The Supernatural Existentialism Of Lost, The Genre Pastiche Of Super 8, And The Found Object Storytelling Of Cloverfield. We Would Virtually Have A Complete Set If The Starship Enterprise From The Mission: Impossible Films, Piloted By Tom Cruise’s Ethan Hunt, Made An Appearance.
S., A Fictional Artefact Similar To The Recovered Film Of cloverfield, Holds Together Quite Well Despite This. That’s A Strange Thing To Say About Anything With At Least Four Interconnected Narratives Playing Out Simultaneously, Even If They Aren’t Exactly In Chronological Order, Similar To Lost’s Renowned Flashback-flashforward Storytelling. You Might Recall S.’s Initial Video Teaser, Which Debuted This Summer Online Without Any Context:
The Movie Links To And Includes Ship Of Theseus, A Book By An Unidentified Political Dissident Known Only As “V.m. Straka.” Even “F.x. Caldeira,” The Publisher Of This Final Novel Following Straka’s Disappearance And Presumed Demise, And The Translator Of His Writings, Know Very Little About The Author. One Of S.’s Books Is Ship, And Caldeira’s Footnotes To The Book Provide A Second Text That Appears To Provide Background Information About Straka’s Life And Identity.
The Copy Of Ship That Is In S. Contains Extensive Annotations From A Researcher Who Is Trying To Figure Out Who Straka Is And Who Doesn’t Entirely Agree With Caldeira’s Footnotes. This Adds A third Layer Of Complexity. His Notes Quickly Turn Into A Dialogue With Jen, A Graduate Student With Too Much Free Time, A Grudge, And Many Secrets From Her Background. The Fourth Text Is A Continuation Of That Interaction.
It Goes Without Saying That S. Is A Very Dense Book To Read; Ship Of Theseus Alone Is A 460+ Page Book That Is Best Described As A Kafka Pastiche In Which The Amnesiac Lead Goes On A Journey That Is Also A Political Metaphor For The Industrial Revolution And The Creation Of The Military Industrial Complex, With Assassinations, Ghost Pirate Ships, And Possible Time Travel Thrown In For Good Measure. The Book Goes Far Further Than That, Though, And Is Filled With Ephemera Like Newspaper Clippings, Letters, Postcards, And Photographs.
But It’s Not A Challenging Read. The Entire Thing Is Obviously Playful, Whether It’s The Scholar Making Fun Of Straka’s Prose (Perhaps To Head Off Complaints About The Same From Actual Reviewers), Jen Making Fun Of The Scholar’s Own Pretences, Or Just The Opportunity To Fall Down The Rabbit Hole Of Trying To Solve The Various Mysteries Before Everything Is Revealed. By The Middle Of The Book, I Had Largely Deciphered The Inconsistent Continuity Of The Margin Notes; Jen And The Scholar Move Through The Book Numerous Times, So Their Remarks Aren’t Exactly “In Sequence,” But You Can Fairly Deduce Where They Are In Their Connection Based On The Ink Colours Used. I Should Probably Put The Book Down And Do Something Less Obsessive For A While, I Thought As I Began To See Patterns In The Footnotes That I’d Previously Assumed Were Printing Mistakes.
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But I Didn’t Want To. It Was A Very Interesting, Entertaining, And Engaging Experience To Read S. And Try To Understand Everything, Both For My Personal Enjoyment And Education. Near The End, Ship Of Theseus Begins To Comment On “Voices In The Margins” As If To Remind Readers To Pay Attention To What Jen And The Scholar Are Writing, Just As Their Experiences Appear To Be Particularly Uncomfortablely Obfuscating The Line Between The Fiction And Their Reality.
A Large Part Of That Is Attributable To The Format; Ship Of Theseus Has The Appearance And Feel Of An Actual Historical Book, Right Down To The Attached Phoney Library Labels. The Book’s Remarks Are Handwritten, Not Printed In A “Script” Font. The Numerous Other Pieces Of Information Are Similarly “Genuine,” And That Adds To The Verisimilitude In An Unfathomable Way. The Photos Have The Same Feel As Photos, The Cards Have The Same Feel As Cards, The Handwritten Serviette Has The Same Feel As A Real Serviette, And So On. It’s Difficult To Picture S. Existing In Any Format Other Than Print, Much Less Being As Successful There. (However, There Are E-book And Audiobook Versions Of S.; I’m Quite Interested In Trying These To See How They Vary.)
S. Would Fulfil Its Promise Of Being A “Love Letter To The Written Word” If That Were All It Were, But The Celebration Of Prose And Publication Goes Far Further Than That. Because Of Their Shared Love Of Books, The Two Main Characters In This Book—one Of Whom Is A Missing Novelist—begin A Romance. This Book Is About The Worth Of Books And What They Can Do For Us That Other Narrative Mediums Cannot, Despite All Its Mysteries And Intrigues.
